Geassa
Esoterický
Podpora výzkumu, studia a praktikování ezoterických umění
V Umění je rozpoznáváno mnoho různých bytostí z jiného světa. V našem systému zjišťujeme, že prominentní je Královna, v dřívějších dobách známá jako Paní nebo Dáma.
Like all esoteric practices, Old Craft groups are tied to an egregore that is specific to their traditions. With these come connections to otherworld beings - the entities and spirits who form the living heart of these systems. Today there is a tendency for many to place emphasis on connecting with the “Master”, “Old Hornie”, the mysterious masculine being so beloved in older Craft traditions. Having said that, almost all Traditional Witches do give at least a passing nod to the Lady, the Dame. However, in many current groups her presence and importance are seldom discussed.
“The Masque of Queens” presents a different possible scenario. One in which the Dame is seen as vital to Witchcraft. In my experience, I must agree. In fact, I would suggest that the Dame is the primary otherworld being whose power rests at the center of certain hidden Old Craft teachings. Unfortunately, the limits of space prohibit me from going into these teachings at length. Perhaps a more pressing question is, who is the Dame?
We see different references to her in beliefs linked to Witchcraft, from the Basque Lady who resides in the caves and mountains of the Pyrenees[3], to the Queen of Elphame in folklore. One of my favorite representations of her is in the stories surrounding the underworld Queen Sybille, sometimes referred to as Sybil or Sibyli. Sybille is at once portrayed as a beautiful, sensual woman, and at other times as a powerful serpent or dragon. She is both sorceress and seductress; loyal to those in her following yet a powerful foe when provoked. As Sybille she is clearly seen as the innate power within the land, and yet Reginal Scot also links Sybille to the Moon Goddess Diana. This dichotomy of being both the Bright Queen and Dark Goddess, earthy and chthonic yet celestial and mysterious, rests at the heart of Old Craft teachings surrounding the Dame.
Jako důkaz domněnky, že ženská bytost z jiného světa známá jako Dáma byla spojována s historickým čarodějnictvím, se můžeme podívat na hru „Maska královen“, hru napsanou v roce 1609 ve Skotsku. V ní je nádherná scéna, kde je zobrazen spolek čarodějnic, které evokují Dámu. Následuje adaptace originálu. Nejedná se o doslovnou citaci, ale spíše o mou vlastní, s využitím symboliky vlastní našim praktikám, která dobře odpovídá tomuto velmi starému přednesu. Pokud byste chtěli vidět plnou originální verzi z roku 1609, podívejte se prosím na „Masku královen“ od Bena Jonsona, Kouzlo 1–3.
„Čarodějnice, zůstaňte, hledáme naši Dámu, volejte ji jejím jménem
Kouzlo, které používáme, aby rychle pomazala a přišla!
Dáma, dáma, hlídka je připravena. Rychle pojďte, všichni jsme se setkali.
Z jezer, z močálů, ze skal, z doupat,
Z hrobek, z hrobů, tady jsme!
Počasí je hezké, vítr fouká, vzhůru Dámo na svého dřevěného koně,
Zastrčte si šaty, obkročte kozu nebo zeleného kohouta!
Udělejte si uzdu z nití, abyste srolovali míle, které jste urazili.
Rychle pojďte, protože všichni zůstaneme!
Havran je venku, had, zajíc a ropucha.
Vřeteno se otáčí, měsíc je v úplňku.
Příkop je udělán, hřebík a střed.
Chybí jen Ona, Ona, která dává vášeň a sílu!
Rychle, dámo, přines svůj díl.
Postrč, postrč malého Martina,
Vesele, vesele ho nech plout.
Červ v tlamě, trn v ocasu.
Oheň nahoře, oheň dole.
S bičem v ruce, aby ho zahnal.
Ó, ona přichází!
To be clear, the Dame is no ‘archetype’, nor would I say is she a ‘form’ of ‘The Goddess’. While Old Craft teachings recognize the duality inherent in nature expressed generally through different dynamic, complementary forces, ‘otherworld beings’ such as the Dame are seldom seen as one dimensional cultural images for general forces. Rather, in my training and experience it seems obvious that the Dame is an actual individual, sentient being .. a ‘spirit’ of a more complex order of being, perhaps of a nature that most people would struggle to comprehend. Nonetheless, she is real and alive in multiple dimensions, multiple states of existence.
I think it is fair to say that at some point in the past a link was forged between certain humans and this Lady. This was pivotal as this formed a bond which still exists today. And it is this bond that rests at the core of many Old Craft practices. The Dame is the serpent power in the land. She is the pull of the Moon that the Witch answers to. In certain older traditions her power is carried in the red cloak. These were, and still are, worn by women who represent her. We see this in documented accounts of Irish cunning women wearing red cloaks when consulted. Micheal Howard recounts that women who practiced magic in East Anglia England often wore redcaps, or cloaks[4]. This is further documented by Corinne Boyer as she recounts many folkloric sources describing the wearing of red cloaks and garments by Witches[5]. Red, power, the life force contained in blood, the power within the land, the power of fire, the serpent breath of lore, the living pulse of nature. This is the province of the Dame. She is life, from the first urge of sexual desire to the blood that flows in giving birth. Sorceress, seductress, bringer of life. It is in this regard that the red cloak is worn by the Mistress in certain secret rites. Yet she also wears the black cloak of return, death as transcendence. Through her, renewal and transformation occur. She, the Dame, is the power of the Witch.
“Quickly, Dame, bring your part . . .
A fire above and fire below,
With whip in hand to make him go.
O, now she comes!”
[1] Pennick, Nigel. Operative Witchcraft. 2012, 2019.23
[2] Wilby, Emma. “The Visions of Isobel Goodie” 2010.
Bottrell, William and Joseph Blight. “Stories and Folklore of West Cornwall” 1880.
[3] Tort, Julia Carreras Tort. “Land of the Goat: Witchcraft in the Pyrenees” 2024.
[4] Howard, Michael “East Anglian Witches and Wizards” 2017.
[5] Boyer, Corinne “Between the Witch and the Devil” 2024.